At Museo Correr, Venice, for the excellent exhibition, ‘New Objectivity. German Art in the Weimar Republic, 1919 – 1933’. A fascinating collection of paintings and photographs dealing with the aftermath of World War I, the disparity between the bourgeoisie and the victims of the war, and the tensions caused by the effects of industrialization and mechanization.

Otto Dix ‘The Parents I’ (1921)

Otto Dix ‘Portrait of the Lawyer Hugo Simons’ (1925)

Rudolf Schlichter ‘Margot’ (1924)

George Grosz ‘Street Scene’ (1925)

Georg Scholz ‘Self-Portrait in front of an Advertising Column’ (1926)

Christian Schad ‘Self-Portrait’ (1927)