At the Guggengheim Museum in Bilbao, Spain for an exhibition of selections from the Thannhauser Collection from the Guggenheim, New York. The collection was donated by the German-born art dealer Justin Thannhauser and his wife Hilde and is particularly rich in Impressionist and Post-Impressionist art.

Edouard Manet ‘Before the Mirror’ (1876)

Vincent van Gogh ‘Mountains at Saint-Remy’ (1889)

Paul Gauguin ‘ Haere Mai’ (1891)

Paul Cezanne ‘Bibemus’ (1894 – 95)

Pablo Picasso ‘Le Moulin de la Galette’ (1900)

Georges Braque ‘Guitar, Glass and Fruit Dish on Sideboard’ (1919)

Pablo Picasso ‘Woman with Yellow Hair’ (1931)

Also an opportunity to see a retrospective of the works of the Swiss-born sculptor Alberto Giacometti, including his famous ‘Walking Man’

Alberto Giacometti ‘Walking Man I’ (1960)

St. Just and St. Pasteur Cathedral, Narbonne, begun in 1272

At Musée Fabre in Montpellier, south of France, for the fascinating ‘Picasso, Donner à voir’ exhibition. It looks at the whole of Picasso’s career by examining fourteen milestone moments in which a new style emerged or he began a fresh direction in his artistic practise.

It begins with Picasso as a teenager painting in Spain, moves on to his arrival in Paris and continues through the blue period, ‘Demoiselles d’Avignon’, Cubism, the return to classicism after World War I, Surrealism, the ‘Guernica’ period and his late career.

Pablo Picasso ‘Self-Portrait’ (1896)

Pablo Picasso ‘Woman Ironing’ (1901)

Pablo Picasso ‘Three Figures under a Tree’ (1907 – 08)

Pablo Picasso ‘Still-Life with Chair Caning’ (1912)

Pablo Picasso ‘Pan’s Flute’ (1923)

Pablo Picasso ‘Harlequin Musician’ (1924)

Pablo Picasso ‘Portrait of Marie-Thérèse’ (1937)

Pablo Picasso ‘Women of Algiers, after Delacroix’ (version H, 1955)

In Montcabrier in the Lot , south-west France, for the ‘8 de Montcabrier’ festival. An extremely enjoyable concert with wind quintet and the excellent pianist Morgane Fauchois-Prado.

Bach: ‘Suite francais no.2’; Ravel: ‘Tombeau de Couperin; Poulenc: ‘Sextet for piano and wind quintet’.

The Musée des Beaux-Arts in Tournai has an eclectic collection of paintings from all periods but is especially rich in modern art, having the only two works by Manet exhibited in Belgium.

Edouard Manet ‘Argenteuil’ (1874)

Edouard Manet ‘The Père Lathuilk Restaurant’ (1879)

Henri Fantin-Latour ‘L’etude. Portrait of Sarah Elizabeth Budgett’ (1883)

Georges Seurat ‘Beach at Bas Butin, Honfleur’ (1886)

James Ensor ‘Pierrot and Skeletons’ (c.1905 – 07)

In the ‘Old Masters’ section of the Royal Museum of Fine Arts in the Belgian capital of Brussels, whose permanent collection includes an excellent display of early Netherlandish art.

Robert Campin ‘Annunciation’ (c.1420s)

Rogier van der Weyden ‘La Pieta’ (c.1441)

Rogier van der Weyden ‘Portrait of Antoine de Bourgogne’ (c.1460)

Quentin Metsys ‘Madonna Enthroned’ (c.1595)

Hieronymus Bosch ‘Temptation of St. Anthony’ triptych (c.1500 – 05)

Pieter Bruegel the Elder ‘Fall of the Rebel Angels’ (1562)

Paul Gauguin ‘Breton Calvary’ (1889)

James Ensor ‘The Strange Masks’ (1892)

At the Festival des Minimes in Brussels for an excellent Clara Schumann (trio, opus 17) and Fanny Mendelssohn (Trio, opus 11) concert with Trio Yehudi.

Back in Ghent to see the reinstallation of the permanent collection of the Museum of Fine Arts. The museum has a particularly varied collection of paintings from the middle ages to the modern period.

Robert Campin ‘The Man of Sorrows’ (c.1430)

Rogier van der Weyden ‘Virgin with the Carnation’ (c.1480)

Hieronymus Bosch ‘St. Jerome’ (c.1485 – 95)

Hieronymus Bosch ‘Christ Carrying the Cross’ (c.1510 – 16)

Pieter Breughel the Younger ‘Peasant Wedding in a Barn’ (1616)

Peter Paul Rubens ‘St. Francis receiving the Stigmata’ (c.1635)

James Ensor ‘Old Lady with Masks’ (1889)

James Ensor ‘Pierrot and Skeleton in a Yellow Robe’ (1893)

The Ensor collection of the Royal Museum of Fine Arts in Antwerp has been on a world tour whilst the museum has been closed for renovation. It is fitting that the final exhibition of the collection before it returns to Antwerp is in the artist’s home town of Ostend.

James Ensor ‘The Astonishment of the Mask Wouse’ (1889)

James Ensor ‘Skeletons Fighting over the body of a Hanged Man’ (1891)

James Ensor ‘The Skeleton Painter’ (1896)

St. John’s hospital in Bruges was founded in the mid-twelfth century and contains some of Europe’s oldest surviving hospital buildings. It also contains the Hans Memling museum with a number of triptychs and other works by the German artist who worked in Flanders.

Hans Memling’ Diptych of Our Lady and Maarten van Nieuwenhove’ (1487)

Hans Memling ‘Triptych of Jan Floreins’ (1479)

Hans Memling ‘The Shrine of St. Ursula’ (c.1489)