Bruckner 8 at the Proms

Back at the Royal Albert Hall for another Proms concert. Six Bach organ works played by Michael Schönheit made up the first half. The second half was a superb performance of Bruckner’s 8th symphony played by the Gewandhausorchester Leipzig led by the wonderful Andris Nelsons.

Andris Nelsons and the Gewandhausorchester Leipzig

Bach: ‘Fantasia in G minor’, BWV 542; ‘Cantata no. 147’, BWV 147; ‘Jesus bleibet meine Freude’; ‘Prelude in E flat major’, BWV 552; ‘Chorale Prelude Wachet auf, ruft uns die Stimme’, BWV 645; ‘Fugue in E Flat major’ BWV 552; Bruckner: ‘Symphony no. 8 in C minor’.

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Beethoven 9 at the Proms

At the Royal Albert Hall, London, for an excellent Proms concert. Two world premieres were performed in the first half: ‘We Are One Fire’, a choral work by Jonathan Dove, and Swiss composer Dieter Ammann’s ‘Piano Concerto’, with soloist Andreas Haefliger.

The second half saw an extremely enjoyable Symphony no. 9 by Beethoven, with the BBC Symphony Orchestra conducted by Sakari Orama.

Royal Albert Hall

Dove: ‘We Are One Fire’; Ammann: ‘Piano Concerto’; Beethoven: ‘Symphony no.9 in D minor

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Natalia Goncharova at Tate Modern

At Tate Modern in London for the exhibition ‘Natalia Goncharova’. Goncharova (1881 – 1962) was the most high-profile female artist of the Russian avant-garde. Together with her lifelong partner, Mikhail Larionov, she was at the forefront of artistic developments in Russia in the early years of the twentieth century. Her reputation in the west grew after 1915 when she moved with Larionov to Paris to work with Serge Diaghilev’s Ballets Russes, designing both set and costume design.

Goncharova-Self-Portrait-with-Yellow-Lilies (1907 - 08)

Natalia Goncharova ‘Self-Portrait with Yellow Lilies’ (1907 – 08)


Natalia Goncharova ‘Peasants Picking Apples’ (1911)

Goncharova 'The Four Evangelists' (1911)

Natalia Goncharova ‘The Four Evangelists’ (1911)

goncharova-cyclist (1913)

Natalia Goncharova ‘Cyclist’ (1913)


Natalia Goncharova Theatre costume for the Prince in ‘Sadko’ (1916)

Goncharova-Peasant-woman.-Costume-design-for-Le-Coq-dOr (1937)

Natalia Goncharova Costume design for Peasant Woman in ‘Le Coq d’Or’ (1937)

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Kenwood House, Hampstead

At Kenwood House, Hampstead, London to see its impressive collection of paintings, including the amazing ‘Self-Portrait’ by Rembrandt and Vermeer’s ‘The Guitar Player’.

Kenwood House

Frans_Hals 'Pieter van den Broecke' (c.1633)

Frans Hals ‘Pieter van den Broecke’ (c.1633)

Temporarily used for contact details: Historic England, Archive Services, The Engine House, Fire Fly Avenue, Swindon, SN2 2EH, United Kingdom, Tel: 01793 414600, Email:, Website:

Rembrandt ‘Self-Portrait’ (1665 – 69)

Johannes Vermeer 'The Guitar Player' (1670 - 72)

Johannes Vermeer ‘The Guitar Player’ (1670 – 72)

JMW Turner 'Coastal Scene with Fisherman' (c.1803 - 04)

JMW Turner ‘Coastal Scene with Fishermen’ (c.1803 – 04)

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Festival du 8 de Montcabrier

In Montcabrier in the Lot for the annual visit to the Festival du 8 de Montcabrier. A very eclectic selection of works, with a first half of pieces connected by the theme of travel, with Felicien David’s ‘Marche de la Caravane’ from his ode-symphony ‘Le Desért’,  Henri Duparc’s setting of Charles Baudelaire’s poem ‘L’Invitation au voyage’, and Camille Saint-Saëns’ ‘Tournoiements’ from ‘Mélodies persanes’.  They were followed by Felix Mendelssohn’s overture ‘The Hebrides’ and four pieces by Hector Berlioz: ‘Villanelle’ and ‘L’île inconnue’ from ‘Les nuits d’été’, extracts from ‘Romeo and Juliet’ and ‘Le Bal’ from ‘Symphonie fantastique’.

Festival du 8 de Montcabrier 2019

David: ‘Marche de la Caravane’; Duparc: ‘L’Invitation au voyage’; Saint-Saëns: ‘Tournoiements’ from ‘Mélodies persanes’;  Mendelssohn: overture ‘The Hebrides’; Berlioz: ‘Villanelle’, ‘L’île inconnue’, extracts from ‘Romeo and Juliet’, ‘Le Bal’ from ‘Symphonie fantastique’.

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Quatuor Akitania in the Dordogne

An extremely enjoyable concert in Saint-Chamassy in the Dordogne, part of the XXXI Festival Musique en Périgord. Quatuor Akitania played a very varied programme, including  Bach and Mozart, Shostakovich String Quartet no. 8 and works by two new, to me, composers from Azerbaijan: Khayyam Mirzazadeh and Moussa Mirzoyev.

Quatuor Akitania

J.S. Bach: 2 Fugues, BWV 1080, counterpoints 1 & 5; Mozart: Divertimento in D, KV 136; Mirzazadeh: 8 miniatures; Mirzoyev: String Quartet no. 1; Shostakovich: String Quartet no. 8

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Brahms and Schumann in Cahors Cathedral

In Cahors, in the Lot department of France, for an excellent concert to celebrate the 900th anniversary of Saint Etienne Cathedral. Orchestre National du Capitole de Toulouse under Lio Kuokman played the overture to Schumann’s ‘Genoveva’ and Brahms ‘Concerto for Violin and Orchestra’, with soloist Kristi Gjezi, in the first half, followed by an extremely well played Symphony no. 3 by Schumann in the second half.

Cahors cathedral

Schumann: Overture to ‘Genoveva’, opus 81: Brahms: ‘Concerto for Violin and Orchestra’, opus 77: Schumann: ‘Symphony no. 3’, opus 97.

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